Modernist #2
(The Miracles – Way Over There)
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Today I would like to quote from a top ranked piece of critique on the subject of Modernist by a Cat named Johnny Spencer who lived it as well as observed the changing times to help us appreciate how it was back in the early sixties.
“In London during the early sixties as in other parts of the British Isles a tiny minority of young, (mostly working class), boys and girls known only to themselves as ‘Modernists’ were walking talking dressing and dancing to a different song. These youngsters who were conceived in the heady and delirious optimism that marked the end of WW II had passed onto them in their genes a very sense of supremecy, invincibility and confidence, a confidence that was fuelled and underpinned by the meta narrative of the western world, the concept of modernity, then at it’s zenith. By the early 1960’s the social fabric of cities in England had changed radically from the period before 1945, the war had dealt attitudes of authority a deference a mortal blow, conscription had ended, and the young en masse for the first time found themselves with a realistic disposable income. With history on their side this generation of independently minded teenagers felt able to think and act for themselves, not in a quasi-intellectual way as the ‘beatnicks’ had done, or to have to rebel, like the ‘Teddy Boys’, but as a truly autonomous entity.”
The musicology is courtesy of modernist icons ‘The Miracles’, (Smokey Robinson, Bobby Rogers, Marv Tarplin, Ronald White and Claudette Rogers), whose unique and distinctive sound epitomised the emerging sound that became known as Soul. The cut that was BIG on the London scene was in fact the second version, (with strings), but in the essence of ‘Modernist’ I had to lay this, (regional) one, (the first version without strings), on you. Recorded for and released in 1960 on Motown.
