musicology #493

SoulBoy #12

(Irma Thomas – Ruler Of My Heart)

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Love the way the SoulBoy is shaping up….Soul and Reggae are the two musical languages that I am fiercely passionate about..I like many genres and almost all styles but nothing connects with the I like these two. Maybe it’s because I was brought up with them? especially Soul, the sweet sounds of Jamaica didn’t make an appearance until I was 3 or 4 years old but Soul is in my flesh, blood and bones…prenatal style !!

Seems like the Soul Kitchen’s hotting up with every cut so i’ll keep up the pressure with this piece from the superb Irma Thomas..well known to Soul Cats and Kittens for many a fine slice, (this being one of them), ‘The Queen of New Orleans Soul’ started out singing in a Baptist Church choir as a teenager but it wasn’t until 1960 that she ‘waxed her first side’. Like all the great New Orleans Soul singers of the sixties it was on the pioneering label Minit that she really begun to cut loose under the wing and watchful eye of the legendary Allen Toussaint, producer, arranger, songwriter and piano maestro whose contribution to the emerging sound now known as Soul deserves, (and gets), honourable recognition. Today’s cut was reinterpreted by the ‘Big O’ for his first solo outing ‘Pain In My Heart’ and as good as that is, for me, this one reaches out even further. 1963 recording on the Minit label. Already featured twice on themusicologist, (#150/ #359 Irma Thomas oozes Soul.

musicology #411

Terry Callier #3

(Terry Callier – Look At Me Now)

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Mr Callier’s first recording. Released as a 45 in 1963 !!

Now my people think that I just fake it,
I know I do things they don’t understand,
So I’ve got to show ‘em I can take it yeah,
I’ve got to show ‘em I can be a man,
Still there’s somethings that never have appealed to me,
Like standing out in front of a crowd,
Well people just you wait and see,
I’m gonna give you reason to be proud,

I’m gonna make it some day,
I’m gonna make it somehow,
Then I’ll be able to say hey,
Take a look at me know,
Yeah look at me know,

Well now my woman thinks I’m just a dreamer,
And she’s right about me I suppose,
But I could never, never, never be a schemer,
I don’t know the things a schemer knows,
But I do know there’s a better day coming up soon,
And baby just you wait and see,
I’ll find us a light in this darkness,
If you just have faith in me,

I’m gonna make it some day yeah,
Gonna make it somehow,
I’ll be able to say yeah, yeah, yeah
Baby look at me know,
Look at me know,
Look at me know,
Look at me know

musicology #390

Modernist #18

(Ernestine Anderson – Keep An Eye On Love)

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Cats…apologies for leaving you all ‘hanging’ for this final slice..my excuse is that it has been ‘on me like a rash’ for the last couple of weeks and I haven’t been able to find the time for themusicologist. The Project is taking up most of my time leaving precious little for Mod/ernist musings although the combination of the two has produced the latest addition to the Tribute Tees below. Available in two colours, sizes from Small to XLarge and THREE cuts ‘Dubplate’, ‘Classic’, and ‘Double A’, (American Apparel) see themusicologist for further information

Final cut on the Mod/ernist theme..and I’m wrapping it up with this fine piece by extraordinary singer Ernestine Anderson whose long career stretches back to the early 50’s when as a teenager she toured with the, (legendary), Johnny Otis band and then Lionel Hampton’s. Essentially a Jazz singer but I’m sure she could ’sit down’ on any piece of music with effortless ease. Recorded and released in 1963 it won’t come as a surprise to those who know this cut but for those who don’t know it, (as well as them that do),

Released on New York’s Sue Label (another slice of the Juggy Murray pie), and in the UK on the Mod/ernist’s most cherished Red & Yellow label of the same name. Apparently it didn’t get much play at the time, (according to my sources), but for me this piece is ‘well modern’ and If I had been on the wheels of steel back then it would have been one of themusicologist’s choice plays….what’s ironic is the timing of today’s cut. I have honestly tried my best to ‘Keep an Eye’ but all my efforts have been in vain…

musicology #389

Modernist #17

(Charlie & Inez Foxx – MockingBird)

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Penultimate day of the Mod/ernist theme, (honest guvnuh !!), and then it’s onto musicolological pastures new. Hard for me to leave this theme as I love the music and am really enjoying the dialogue.

Couldn’t complete a mod/ernist theme without including this one from Charlie & Inez Foxx…1963 cut on Juggy Murrays Symbol label. BIG, BIG tune from back in the day.

musicology #0387

Modernist #15

(Barbara Lewis – Hello Stranger)

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Laszlo Moholy-Nagy, a pioneer typographer, photographer, and designer of the modern movement and a master at the Bauhaus in Weimar, may have come closest to defining the Modernist who in his opinion was;

“an idealist and a realist using the language of the poet and the businessman. He thinks in terms of need and function. He is able to analyze his problems, but his fantasy is boundless.”

“The basis of style is the appropriation and reorganisation by the subject of elements in the objective world which would otherwise determine and constrict him. The Mod/ernist combined previously disparate elements to create himself into a metaphor, the appropriateness of which was apparent only to themselves. Like the surrealists they underestimated the ability of the dominant culture to absorb the subversive image and sustain the impact of the anarchic imagination. The magical transformations of the commodities had been mysterious and were often invisible to the neutral observer and no amount of stylistic incantation could possibly effect the oppresive economic mode by which they had been produced.

Today’s 1963 cut is another Mod/ernist classic but this time courtesy of female vocalist Barbara Lewis..BIG tune on the scene and one of themusicologist’s earliest musical memories. Ranking tune that never fails to hit the spot.

musicology #383

Modernist #11

(Chris Kenner – Land Of 1000 Dances)

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Sliding out of the Jamaican selection into one from New Orleans featuring a Cat who is perhaps best known to Mod/ernists for his 1961 cut ‘I Like It Like That’.

Popularised by Wilson Pickett in 1966 this, the 1963 original, speaks volumes for what distinquished the Mod/ernist from the Mods. Hold this quote from an ‘information panel’ on the subject by musicologist Johnny Spencer, (he of the magnificent project)

“By 1964 the Mods had arrived and it was all over for the Modernists, the faces that had piloted this new paradigm of liberty for British youth, a liberation that was carried in the mind from generation to generation. Mods, generally the younger siblings of the Modernists, could not claim the originality of their predecessors, although they shared many of their preferences, smart clothes, Soul music etc, they came to a ready made situation, the territory had been won, what they chose to do was enjoy it. They were more casual and this led to a lack of vigilance, a dropping of the guard, and soon the media and corporate interests were in there, bleeding, filleting and gutting this new market and threat to the status quo. Masses of newer converts, ‘tickets’, were soon sold the concept of Mod: an outfit, pop idols and an attitude, it was small wonder that by 1965 the entire movement was dead, and with the age opf the ‘Skinhead’, who also shared a subtle common bond with an emerging, oppressed black culture, the first real and enduring anti-fashion movement started”.

Nailed on..

Today’s cut is based on a spiritual entitled ‘Children Go Where I Send You’, further evidence of the debt owed to the Gospel tradition by the new music emerging out of the urban experience of big cities such as New Orleans, Chicago, New York, Detroit and Memphis where migration had a major impact. Recorded for and released on the fabulous Minit label which had already scored with Mod/ernists by releasing cuts like the above mentioned ‘I Like It Like That’, Ernie K Doe’s ‘Mother In Law’ and Benny Spellman’s ‘Fortune Teller’, (To name but Three)..written by Chris Kenner and Fats Domino.

musicology #321

DownbeatTheRuler #1

(Jackie Opel - Eternal Love)

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This week’s theme is a tribute to Sir Coxsone Dodd’s Jamaican musical powerhouse..Studio 1. Clement Seymour Dodd was a genuine music lover who set up his sound system ‘Downbeat The Ruler to play Rhythm & Blues after returning from a trip to America in 1954. It wasn’t until 1963 however that he setup the first Recording studio to be owned by a ‘Man on the street’ the legendary Studio 1.

Almost every Jamaican singer or musician of note has at one time passed through the Brentford Road studio and although many were unhappy with the financial arrangements I hope that none would argue that the man was a Giant in the progress of Jamaican musicology.

So without further delay hold this 1963 cut from the majestic Jackie Opel with a piece from the earliest days of Studio 1 featuring The cream of Jamaica’s musicians The Skatalites

musicology #304

LiveAndDirect #1

(Sam Cooke - Somebody Have Mercy - Live)

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New theme on themusicologist starting today concerning Live performances. Not that a recording can truly do them justice but other than being there, and in the case of the majority of artists featured during this theme who are no longer with us, it's the best I can offer. All powerful performances...starting with the Lion...Mr Soul who has already been a major player on themusicologist over the preceeding two years, this being the second cut featured here from the infamous 'Live at the Harlem Square' session recorded in 1963. All I can add is that Words don't do it justice.

musicology #236

inmodwetrust #3

(The Miracles - Mickey's Monkey)

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another slice from the 1963 selection, the year that 'Mod' grew out of various shadows to establish it as more than a handful of 'dressers'/stylists/modernists into a movement. Same year that the (New) Scene opened it's doors in Ham Yard, (Soho), to become the premier London club and forum for all things 'mod' and hip in the capital.

The cut is delivered in fine style by legendary Detroit vocal group The Miracles with William 'Smokey' Robinson on lead supported by Bobby Rogers, Marv Tarplin, childhood friend and, (along with Smokey), former 5 Chimes member Ronald White and female vocalist Claudette Rogers. The Miracles paved the way for Motown's success in the early sixties with cuts like 'Shop Around', 'You Really Got A Hold On Me' and this one apoun which the Berry Gordy empire was built.

musicology #235

inmodwetrust #2

(Joe Hinton - You Know It Ain't Right)

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Round two of the mod/ernist musical merry go round and this time it's courtesy of a relatively obscure vocalist by the name of Joe Hinton who up until 1958 had been a gospel singer but it was with this one, (recorded for Don Robey's Backbeat label in 1963), that he broke through. Going on to have a minor 'hit' with his version of Willie Nelson's 'Funny How Time Slips Away' the following year. Unfortunately his career was cut short in 1968 after losing a battle with Skin Cancer but for themusicologist he is, (almost), immortalised by this slice of the Mod/ernist pie.

musicology #228

communication #6

(Sam Cooke - Please Don’t Drive Me Away)

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didnt throw one down yesterday, too much on me plate and there wasn’t one tune in particular that communicated the message. today is another day and already there are at least four or five cuts that I would like to lay down. so without further delay…hold this one from another of me favourite artists and communicators…the Lion, Sam Cooke. Taken from the 1963 album Night Beat featuring a sixteen year old Billy Preston on the organ…Arranged by Rene Hall.

musicology #141

SpectrumOfLove #1

(The Radiants - I’m In Love)

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this weeks theme is dedicated to the quest for the ‘holy grail’ .. LOVE

some ‘thing’ that we all need, and if we’re lucky .. give and receive.

the love theme stretches across the full musical spectrum and I can’t think of a genre where it isn’t included in the repertoire and it’s of particular interest to themusicologist for the simple fact that I struggle to under/overstand and therefore express it.

to be honest I think it’s partly why I listen to and appreciate the musical arts to such a degree as it seems to capture the essence of this emotion like no other form of external expression, (in my humble opinion of course), and these next six, (maybe seven), pieces are examples of that.

first up is a slice of prime 1963 Soul from vocal group The Radiants whose track ‘Voice Your Choice’ was a BIG Mod/ernist tune in London’s clubs and dancehalls on release in 1964. The production has the Billy Davis ’stamp’ written all over it, (even though there’s no mention of the cat on the label), a man whose contribution to developing Soul, as well as Coca Cola, (he wrote the famous advertising jingles), is always worthy of a mention…maybe even his own category.