musicology #471

2LegendsClash II #7

(Billie Holiday – Am I Blue)

LISTEN

Not easy to follow Dinah. I’ll lay my cards on the table right now and confess that for me she hits the highest highs and reaches the lowest lows and when I hear her sing it stops me in my tracks but Billie does too. Both of them knew that without love, life was hollow. No matter the cost it was the one emotion that could move mountains. Love is out of fashion in the 21st Century and music reflects that…and I quote;

“There is a very thin line between artistry and trash: a Johnny Mercer or a Lorenz Hart can take the most banal of themes (and what is more banal than a love song?) and with one felicitous phrase or wry observation make your heart jump with joy – or break it. Others, on a good day, can more or less duplicate those emotions. The rest of the time they fall flat and the increasing sophistication of subsequent generations only exposes their deficiencies”.

I can’t agree with ‘love being the most banal of themes’ at all but it certainly reflects the ‘Age Of Reason’ that we find ourselves living in where financial success is the yardstick by which to measure achievement. Don’t get me wrong I enjoy consuming and for that I need money but my experience is that it doesn’t truly deliver long term satisfaction, happiness or fulfillment.

Before I get too carried away I’ll put my soapbox away and just let Billie step up and speak

musicology #470

2LegendsClash II #6

(Dinah Washington – Stairway To The Stars)

LISTEN

“When you get inside of a tune, the soul in you should just come out. You should just be able to step back and let that soul come right out” -Dinah Washington-

With that in mind..

musicology #469

2LegendsClash II #5

(Billie Holiday – Travelin’ All Alone)

LISTEN

Still ‘Moanin’ Low’ today…like to shake the blues but they seem to be stuck to me like glue. need to get my self together..breathe some fresh air and flex but the rain won’t stop falling on my troubled mind so with that in mind I’ll try to catch some catharsis with today’s cut which as I said on day 1 of the theme is the piece that kicked off my love affair with Billie Holiday way back sometime in the late 70’s. Beautiful piece of tenor sax from The President, (Lester Young), sets the tone for Billie to cut loose and then a final flourish from clarinet master Buster Bailey to finish. Fine example of a group in complete harmony.

Recorded in New York, 13 September 1937, Released on Vocalion.

Buck Clayton, Buster Bailey, Lester Young, Claude Thornhill, Freddie Green, Walter Page, Jo Jones

I’m so weary and all alone,
Feet are tired like heavy stone,
Travelin’, travelin all alone,
Who will see and who will care,
‘Bout this load that I must bear,
Travelin’, travelin all alone,

Prayers I sent to heaven above,
‘Bout my burdens, woes and love,
Head bowed down with misery,
Nothing now appeals to me,
Travelin’, travelin all alone,

Give me just another day,
There’s one thing I want to say,
Friends, the world and all it’s gold,
Leave you always when you’re old
Travelin’, travelin all alone,

musicology #468

2LegendsClash II #4

(Dinah Washington – If I Loved You)

LISTEN

“Dinah was like Judy Garland. She drew all the whores, pimps and losers. Certain entertainers draw a certain element in audiences and in friends. If a singer sings a loser’s love song, the audience identifies. ‘Somewhere over the rainbow’ is a loser’s lament. ‘Blue skies’ is another. ‘Look to the rainbow’ is another. Dinah sang those. I’ll win somewhere, she sang. Dinah figured that somewhere over the rainbow she would find a man who loved her”.

-Eddie Chamblee-

Is there ANYONE out there today who can hit, (and hold), the note Dinah hits at the end of this piece? if so I beg you to bring me in…

musicology #467

2LegendsClash II #3

(Billie Holiday – Pennies From Heaven)

LISTEN

Apologies for yesterday’s absence. Truth is I am feeling low and was unable to find whatever it is in me that makes themusicologist happen. For a few reasons life is on me like a concrete suit at the moment and even though I tried most of the day to post a cut both the words and the music eluded me so today I’m just going to lay a slice down, try not to get too wrapped up in the language of my solitude and let the two legends speak. But before Billie steps up for today’s piece of musicology hold this quote from nightclub owner Barney Josephson who was quoted to have said about her

”She never had a really big voice-it was small…..like a bell that rang and went a mile..”

Recorded for Brunswick in New York on November 1936 featuring Teddy Wilson & Orchestra; (Jonah Jones, Benny Goodman, Ben Webster, Allan Reuss, John Kirby and Cozy Cole)

musicology #466

2LegendsClash II #2

(Dinah Washington – How Deep Is The Ocean)

LISTEN

Dinah Washington…for themusicologist, the greatest female singer to ever record. Yes there are others such as the sublime Mahalia Jackson, Ella Fitzgerald, Sarah Vaughn, Aretha Franklin, Randy Crawford and a whole host of magnificent vocalists to consider but for me Dinah wears the crown.

Not sure how much importance it has to anyone else, (but for me it has resonance), Ruth Lee Jones was born August 29th 1925 under a sign I am inextricably drawn to..Virgo…I know and love too many, (more than any other sign), to dismiss it as coincidence. Not sure exactly why but in my experience honesty is a key trait of those born under the sign and for me that alone is magnetic…when Dinah sings I listen.

Her career begun in 1940 but it wasn’t until hooking up with Lionel Hampton, (who had previously been part of Benny Goodman’s trailblazing quartet along with Teddy Wilson), on December 29th 1943 that her star began to rise. Much has been written about Dinah’s battles with various substances as well as her seven husbands !! which considering she died at the tender age of 39 says plenty about her credentials to sing about the Joys and Pains of love with such authenticity and passion.

Quincy Jones, (who knows a thing or two about musicology !!), described Dinah’s style with this eulogy saying she “could take the melody in her hand, hold it like an egg, crack it open, fry it, let it sizzle, reconstruct it, put the egg back in the box and back in the refrigerator and you would’ve still understood every single syllable.”

Today’s cut is Dinah at her best singing a song written by master songwriter Irving Berlin.

Listen Tune….

musicology #465

2LegendsClash II #1

(Billie Holiday – Things Are Looking Up)

LISTEN

So, the end of another year and on reflection what a year it has turned out to be, (at least for me). This time last year themusicologist was on, (what turned out to be), our final family holiday. Today a year later ‘farce has become history’.. doubt that Baudrillard was thinking in terms of a major relationship disintegrating into nothing when he penned that fragment but nevertheless it springs to mind. No point pretending that at times the pain wasn’t almost unbearable but as I sit here today, (alone), at the start of a new decade I can’t help but look back and say I am glad to be alive. Been a steep old learning curve, (that’s for sure), and although it’s been a white knuckle ride I wouldn’t have it any other way and after all… “Endings are beginnings of beautiful things”

Certainly didn’t want such a deep and profound journey to end the way it has but as I have already mentioned…for me it’s not what happens to us along the way it’s how we respond and I do believe that “every time it rains, it rains…pennies from heaven”.

Which brings me to the first theme of 2010 featuring two of the greatest vocalists to grace the 20th Century..neither should need an introduction but I’m going to drop one anyway.
First up to the microphone stand is perhaps the most influential singer to have ever recorded. A woman whose phrasing changed the face of so called popular music forever..Eleanora Fagan otherwise known as Billie ‘Lady Day’ Holiday who, along with Louis ‘Satchelmouth’ Armstrong, revolutionised the musical landscape. Brother Armstrong rocked the Mic but it was said, and no doubt in my heart it’s true, that when Lady Day first took the stand in a Harlem joint in the early 1930’s penniless and destitute and sung ‘Travelin All Alone’ such was her authenticity that Cats broke down and cried. I first heard Billie, (and that song), sometime in the 70’s, (as a child), and I promise you it shook the ground I stood on and begun a musical love affair that will last forever. It was the early Billie that I first heard and it’s the early Billie, (up to ‘45), I connected to. Why Billie? why now?..in two words: Authenticity and Inspiration.

Listening to Billie bare her heart and soul provides me the strength to follow my mine in the knowledge that to be in love is reason enough to live. Not, I have subsequently learnt, to be loved, (beautiful though this is), rather…to love. A feeling that doesn’t carry the burden of expectation or demand a return. Love is a language and, (as Erich Fromm so eloquently wrote), an Art and one I intend to do my best to continue learning along with the help of those who inspire me to want to.

So with that in mind hold this first cut from a lady who definitely lived and learnt a thing or two about the art while travelin’.

Recorded in New York, (November 1937), and released on a Brunswick 78. Featuring the combined talents of the majestic Teddy Wilson in complete harmony with luminaries Buck Clayton, Prince Robinson, Vido Musso, Allan Reuss, Walter Page and Cozy Cole.