musicology #480

PoliceAndThieves #5

(Woody Guthrie – Pretty Boy Floyd)

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Have to be quick with today’s post..man on a mission ! so without further delay hold this cut from Master Woody Guthrie who I am a BIG fan of. Regulars to the musical diary might have already guessed that I hunger for authenticity whether in music or in life..too much bullshit angers me which is why ‘news’ doesn’t interest me at all. At the risk of seeming indifferent the conventional propaganda machine or to use it’s common name..the media has an agenda…the promotion and pursuit of Capital over happiness…money ain’t worth the paper it’s printed on…how much has been printed over the last year? something like 20 Billion?? and yet still the poor are getting poorer while the rich are getting richer. make no mistake the gap between the two is widening…how can that be?

Anyway…before I get involved hold this cut from Woody about outlaw Pretty Boy Floyd. Recorded in 1939 the song highlights Floyd’s apparent generosity to the poor which considering Guthrie’s Oklahoma roots and the mans authenticity I would imagine was true. Floyd’s funeral remains the States most attended funeral so he most have been popular for more than mere infamy… the outlaw is generally respected amongst the poor community and also revered for his generosity while his nefarious activities are often overlooked.

musicology #209

12AngryMen #3 (alternativesoundtrack #6)

(Pete Seeger - John Henry)

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day 6, the invisible votes have been cast...and here comes the verdict.

the music is a 1957 piece from an important and highly influential cat in the development of 'popular' music who is still performing at the ripe old age of 89. A man who walked it like he talked it, Seeger was, and still is, an Activist with a capital A, who shares themusicologist's belief that music and song is a most powerful force for change.

Alone among the many witnesses after the 1950 conviction and imprisonment of the Hollywood Ten for contempt of court, Seeger refused to plead the Fifth Amendment (which asserted that his testimony might be self incriminating) and instead (as the Hollywood Ten had done) refused to name personal and political associations on the grounds that this would violate his First Ammendment rights:

"I am not going to answer any questions as to my association, my philosophical or religious beliefs or my political beliefs, or how I voted in any election, or any of these private affairs. I think these are very improper questions for any American to be asked, especially under such compulsion as this."

The man's refusal to testify led to a 1957 indictment for contempt of Congress and for years he had to keep the federal government apprised of where he was going any time he left the Southern District of New York.

Finally sentenced, (by Jury Trial), to a 10 Stretch in 1961, for whatever they could hang on him, this was overturned a year later in '62 for being 'seriously flawed'

Not trying to style it that I'm a long time fan of the man and his music..in fact that's one of the things that themusicologist provides, an opportunity for me to explore genres and styles that I am unfamiliar with.