Showing posts with label 1966. Show all posts
Showing posts with label 1966. Show all posts

Sunday, 11 October 2009

musicology #425

noExcuses #2

(You Got My Mind Messed Up – James Carr)

LISTEN

too many cuts to choose from and my butterfly mind certainly needs direction while my heart weeps.
today’s slice is courtesy of the majestic James Carr a cat who had the misfortune of suffering from a condition known medically as Bi-Polar Dis-order. What that means, (like many mental conditions), is debatable but it is especially poignant for themusicologist as a much loved and cherished companion is also going through a period of transition that is in danger of being labelled. Recorded and released in 1966 on the Goldwax label.

Friday, 10 July 2009

musicology #399

Sound&Fury #3

(Ray Sharpe & The King Curtis Orchestra – Help Me Get The Feeling Pts 1&2)

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Fuck…not sure how you cats are feeling but for themusicologist it sure is a hard road fe travel at the moment. not complaining, moaning or, (worst of all), looking for sympathy just an observation and comment on this part of the journey.

I’m always up for the challenge but the constant pressure is taking it’s toll. So with that in mind I’m going to lay down this wicked piece of 60’s Soul. Keeping in mind that although it’s the ‘Sound&Fury’ signifying nothing music speaks and themusicologist can’t help but listen. Quality double sider of urban musicology that I had no choice but to edit the two seperate parts together.

1966 ‘Atlantic’ release originally released on the Atco Label courtesy of Ray Sharpe featuring one of the top bands of the period none other than The, (King), Curtis Orchestra.

Thursday, 5 March 2009

musicology #323

DownbeatTheRuler #3

(Alton & Hortense Ellis - Easy Squeeze)

LISTEN

Out all day yesterday working the tees so apologies for not dropping a next ‘Downbeat bomb’ through your speakers. Hopefully today’s slice of the Coxsone pie will make up for it.

A classic piece of Brentford Road Rock Steady that has trembled my marrow for many years. Could have thrown it down a few times on previous themes but for reason unbeknown to ‘mesang’ didn’t until today.

One of the most emotive, hard hitting, Rough & Tough cuts of the Rock Steady period in my humble opinion…lyrics, vocals, music all combining in soul searching harmony to communicate a message concerning the quest for that most elusive of feelings, True Love.

Recorded and first released in 1966? for Dodd by the Godfather Of Rocksteady Alton Ellis alongside his younger Sister Hortense, both of whom are sadly no longer with us. What is however (and will be for as long as music like this is being loved and played), are their ‘works’ many of which sit comfortably at the very top of the musicology tree.

Hortense was Jamaica’s ‘first female vocalist’ cutting her teeth as early as 1959 on such legendary talent shows as Vere John’s Opportunity hour, (where many a ‘Jam Down’ legend begun their careers), but it wasn’t until a few years later in 1961 under the tutelage of Downbeat that she begun a recording career. For sure having Alton as a brother helped but anyone who has heard her sing would agree that merit was the foundation stone apoun which she built a career that stretched right up to her untimely death in 2000 AD. Recording for many of the greatest Jamaican producers such as Duke Reid, Bunny Lee, Harry Mudie and Gussie Clarke, (to name a few)

As regulars may be aware Alton has featured more than any other Jamaican artist on themusicologist over the preceeding two years so I won’t wax lyrical on the man and his music today other than to reiterate that it was he and the previous Artist, (Bob Andy), who first opened my ears and heart to Downbeat The Ruler’s output and for that I am eternally grateful..

So in Tribute to the memories of Alton, Hortense and Clement Seymour ‘Sir Coxsone / Downbeat The Ruler’ Dodd hold this…..

Saturday, 14 February 2009

musicology #308

Live&Direct #5

(Lou Rawls - Goin' To Chicago Blues)

LISTEN

Today's cut features yet another of the great vocalists...Louis Allen Rawls. Life long friend of 'Mr Soul' Who was equally at home singing Gospel, Soul or Jazz whose impassioned response to Sam Cooke on the immortal 1962 cut 'Bring It On Home To Me' deserves special mention. A singer of the highest order about whom Frank Sinatra was quoted to have said "he has the classiest singing and silkiest chops in the singing game"...

This cut, first performed, (and written), by Jimmy Rushing and the Count Basie band was recorded for Capitol in 1966 featuring musicians James Bond, Earl Palmer, Tommy Strode, Herb Ellis..produced by David Axelrod.

Tuesday, 27 January 2009

musicology #295

JamaicanVocalGroupAction #6

(Dion Cameron & The Three Tops - Get Ready)

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Today's 1966 cut is one from themusicologist's Ska box courtesy of the almost unknown Dion Cameron & The Three Tops who are perhaps better known for the few slices released on Duke Reid's Treasure Isle label, This one is An 'Olive Branch'? production released in the UK on the Rio label. Can't tell you much more about it other than it was one of my earliest purchases back in the early 80's.. Ranking Saxaphone break on this one.

Tuesday, 4 November 2008

musicology #231

communication #9

(Jimmy Ruffin - What Becomes Of The Brokenhearted)

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A song that we, (should), all know delivered with pathos by one of the great Soul singers about a subject that is plainly close to my heart. Older brother of the Temptation’s member David, Jimmy hasn’t received the acclaim he deserves. This version, (the original), has the spoken intro which was removed for the final mix that made it onto the 45, (can’t understand why?)

Lyrics by James Dean, music composed by William Weatherspoon and Paul Riser, music played by the Funk Brothers, background vocals by The Originals, (Freddie Gorman, Walter Gaines, Hank Dixon, Joe Stubbs), and the Adantes, (Jackie Hicks, Marlene Barrow, Louvain Demps), song produced by Weatherspoon and William Stevenson.

Saturday, 12 April 2008

musicology #126

socialcommentaryweek #6

(Phil Ochs - The Ringing Of Revolution)

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penultimate cut on the ’social’ and themusicologist is rolling with one from an artist who was brought to my attention by the man that kicked off this current theme Stephen William, (billy), Bragg who not only cites Ochs as an inspiration but also recorded a tribute to the man ‘I dreamt I Saw Phil Ochs Last Night’ on his 1990 LP ‘the Internationale’

being an admirer of Billy Bragg, (”I just couldn’t help myself guess I was born with a curious mind”), themusicologist headed off on a journey and tracked down some of the man in question’s work. there are many great online sources of Phil Ochs Info so i’ll leave it to them to fill you in on the full and very colourful picture of his bitter sweet life and, in musicology style, let the music do the talking.

this piece of revolutionary prose is taken from the Phil Ochs In Concert LP (1966) and is, for me, as good as the song as message gets.

“in a building of gold with riches untold,
live the families on which the country was founded,
and the merchants of style with their vain velvet smiles,
were there for they also were hounded,
and the soft middle class crowded in to the last,
for the building was fully surrounded,
and the noise outside was the ringing of revolution

sadly they stared and sank in their chairs,
and searched for a comforting notion,
and the rich silver walls looked ready to fall,
as they shook in doubtful devotion,
the ice cubes would clink as they freshened their drinks,
wet their mids in bitter emotion,
and they talked about the ringing of revolution

we were hardly aware of the hardships they beared,
for our times taken with treasure,
oh life was a game and work was a shame,
and pain was prevented by pleasure,
the world cold and grey was so far away,
in distance only money could measure,
but their thoughts were broken by the ringing of revolution

and the clouds filled the room in darkening doom,
as the crooked smoke rings were rising,
how long will it take how can we escape,
someone asked but no-ones advising,
and the quivering fllor responds to the roar,
in a shake no longer surprising,
as closer and closer comes the ringing of revolution

so softly they moan please leave us alone,
as back and forth they are pacing,
and they cover their ears and try not to hear,
with pillows of silk they’re embracing,
the crackling crowd is laughing out loud,
peeking in at the target they’re chasing,
now trembling inside the ringing of revolution

with compromise sway we gave it half away,
when we saw that rebellion was growing,
now everything’s lost as they kneel by the cross,
where the blood of christ is still flowing,
too late for their sorrow they’ve reached their tommorow,
and reaped the seed they were sowing,
now harvested by the ringing of revolution

in tattered tuxedos they faced the new heroes,
and crawled about in confusion,
and they sheepishly grinned for their memories were dim,
of the decades of dark execution.”