musicology #464

TheManWithTheBag #14

( The Cats & The Fiddle – Hep Cat’s Holiday)

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New dawn yesterday for themusicologist and family/friends/regulars and even recent travelers along the way know there’s been a few false ones over the past few months and years. Life is funny that way but one observation on the journey through it is that it’s not what happens to us that it’s how we respond. My, (learned), belief is that I don’t choose which path to take It just unfolds before me. Intuition is the guide and I feel my way through the darkness until the day breaks anew and the sun begins to shine once more. In certainty…day always follows night no matter how long it lasts.

Hope you do me the honour of rolling with me on this post as I try me best to wax lyrical on the final musings of 2009. I could say it has been the worst year of my life but that would be a lie. Not only have I had a few that would make your toe and fingernails curl but as this one ends I am counting my blessings….1……2……3 and they are all so beautiful. Yep, (in metaphorical style), like a ship that’s lost at sea I have been tossed and battered by some powerful crashing waves but as the storm clears not only do I find myself still afloat but on assessment of the damage I am finding both my hull AND keel stronger than ever before.

Was it Nietzsche? that commented “that which doesn’t kill one makes one stronger” well whoever it was got that right as did Ray Charles who was quoted to have said “Live everyday like it’s your last because one day it will be”. Wisdom can’t be taught, only lived whereas knowledge and the garbage that is information are both aquired, often to the detriment of growth. I have no agenda here other than to be which Is my resolution for the rest of my days and even though this existence ain’t no bowl of fuckin’ cherries the essence can taste so sweet.

So for all you ’shoulder to the wheel’ crew out there who are suffering, (and we all do), try to bear in mind that the harder the battle…the sweeter the victory. Breathe deep, pick yourself, (or even better find/ask someone else to help you), up from the canvas and let’s prepare ourselves for the next round which is where we begin to make an authentic comeback..

musicology 462

TheManWithTheBag #12

(Count Basie – Jingle Bells)

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Apologies for not uploading the Jackie Wilson cut until this morning…butterfly mind got the better of me. Not that I’m complaining or making excuses as the butterfly has led me down many interesting and fruitful paths along the way.

Last night it was football with the chaps..weekly game down the New Den on the indoor pitch. Being a striker my job is to hold the ball up and score goals. Bagged 5 last night and held the ball up so all told…job done. My cousin was on our team last night which is always a pleasure as we have the synchronicity that flows.

Today’s slice of the yuletide pie is courtesy of the swinging Count Basie Orchestra featuring of course the Count himself tinkling the ivories.

musicology #461

TheManWithTheBag #11

(Jackie Wilson – O Come All Ye Faithful)

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Just got back to the ‘Big Smoke’ after a few days spent in natural paradise with two angels. The landscape up there, (North West England), never fails to inspire me and I always come back with a bit more of a ‘Tigger Bounce’ in my step. Knocking on the Christmas door now as we come down the home straight. Tree’s up, presents beneath it, kids excited. Just have a few more things to do and then it’s kick back time from tomorrow.

A question for you all out there..has the quality of song writing, (and singing come to that), gone downhill over the last few years or am I just not being exposed to the ‘right’ material? don’t know if you noticed but I listen to a LOT of music from as far back as the early 20’s all the way through to today and if the term ‘popular’ has any meaning/value as far as making judgement is concerned then the quality of pop today is, (generally), to my ears..poor. By NO means am I suggesting that quality music isn’t still being made as I don’t need to listen any further than Master Terry Callier, (for instance), to know that marrow trembling cuts are still being made but as I listen to the ‘charts’, (not out of choice but due to having two children over the age of ten), I can’t help but be disappointed. Where are the Dinahs, Arethas, Maxine Browns, Etta James’s? the Sam Cookes, Otis Reddings, Jackie Wilsons, Clyde McPhatters, Ben E Kings, Smokey Robinsons, Marvin Gayes, Curtis Mayfields, Bobby Womacks. The Gregory Issacs, Pat Kellys, Slim Smiths, Ken Boothes, John Holts, (the list could go on and on), who are the singers and songwriters kicking arse and trembling marrows in the 21st Century??

Today’s cut is courtesy of one of the afore mentioned legends, Jackie Wilson. A man who needs no introduction with his version of the hymn ‘O Come All Ye Faithful’

musicology #460

TheManWithTheBag #10

(Dinah Washington – Silent Night)

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Have to throw down early today, (didn’t happen !!) as we, (kids and I), are off on a little excursion up to the beautiful Lake District, (Ambleside to be precise), for a few days to kick back before Christmas and I don’t think the internet has reached there yet !! so themusicologist won’t be able to throw down until returning to the big smoke.

STOP PRESS……in fact I’m throwing this down from Ambleside in a coffee shop with free Wi-Fi..i’ll keep it as brief as possible..our daughter is on me like a rash to get on facebook but it’s, (proper), snowing up here and the junior musicologist and I have climbed a mountain today, (look out for the pics…soon come)

Today’s fine cut is courtesy of, (in my subjective opinion of course), one of the greatest singers to have ever graced the mic. A voice overflowing with expression and emotion, drawn from the deep well of existence, (and essence), when Dinah Washington opens her heart and sings even the birds stop to listen and nod in appreciation. Born Ruth Jones, she first came to the attention of Lionel Hampton in 1943 and for the next 19 years waxed some of the most heart wrenching slices of musicology known to wo/man. Personally speaking…it’s her Mercury output that brings me to my knees, trembles my marrow and brings tears to my ‘minces’ but I could never turn Dinah off no matter what the period. (This one is from the Mercury 78)

musicology #459

TheManWithTheBag #9

(Amos Milburn – Let’s Make Christmas Merry Baby)

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Intended on breaking the mould today and throwing the cut early?, (unless of course you’re in NYC, LA, ‘Chi’ or pretty much any State in America), but as Robert Burns wrote:

“The best laid schemes o’ mice an’ men
Gang aft agley,
An’ lea’e us nought but grief an’ pain,
For promis’d joy!”

So stick that in yer pipes and smoke it !! while we slide into this cut from one of the great Rhythm & Blues pioneers Amos Milburn who, (along with Louis Jordan), had a major impact on the transition from swing to Rhythm & Blues in the mid 1940’s. recorded in 1949 for Eddie & Leo Mesner’s powerhouse Aladdin label, (the home of West Coast Rhythm & Blues).

musicology #458

TheManWithTheBag #8

(The Meditation Singers – What The World Needs For Christmas)

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Playing catch up these last couple days !!. (just noticed that yesterday’s cut was missing from the music box !!!), themusicologist’s ‘drum’ is a bit of a 2 n’ 8, (but my head’s not, even though I had a tooth pulled today). Christmas is in full swing. Presents under the tree for the youts them. Nothing but the seasonal sounds playing day and night..Attended our beautiful daughters Carol service last night, (she’s in the choir), and needless to say it was BOSS. Oh yeah and the snow fell today. Don’t know how long it will last but we are all dreaming of a white one this year.

Must confess that it feels a bit strange this year but of course that’s only natural after sharing the preceeding 21 years in a deep and, at least for me, meaningful relationship but, again, such is life. My experience is that it’s not what happens to you along the way it’s how you roll with it. So with that in mind hold this cut from the majestic Meditation Singers. Formed by none other than Della Reese in 1947 members have included Earnestine Rundless, Lillian Mitchell, Marie Waters, Cassietta George and James Cleveland. Della moved on in 1953 and was replaced by Earnestine’s adopted teenage daughter Laura Lee Rundless. This piece was recorded for and released on Chess/Checker. Haven’t got the LP at hand, (in storage), so can’t remember the recording date but if memory serves me right it was 1969. One thing is for sure though…It’s TOP RANKING.

LISTEN TUNE..

musicology #457

TheManWithTheBag #7

(The Kingstonians - Merry Christmas)

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After a day's sabbatical yesterday, (big night out Sunday !!), time to climb back into the musicology saddle. Also that last piece by Nitty Gritty deserved more exposure than just one evening so it all worked out for the best !! hahahahahahaha that's the story I'm sticking to anyway.Just like to add that it was a top night had. Spent with two of the best friends a person could ever wish to know..entertained on the night by some fantastic sounds courtesy of my favourite House DJ John 'Le Plage', supported by a cast that included Sasha and Bushwacka. The music was quite literally top ranking as was the company I kept.

Wore my cherished red and cream Fila BJ, (original of course), vintage pair of deadstock Lee Cooper Camel coloured Jumbo Cords, Navy blue Modernist T-shirt and a Primary Blue pair of Cousteau's courtesy of my favourite shoe company...Clae...Cats were complimenting me all night and one in particular came up and said I was the best dressed man in the house....I had to reign my ego in, (which wasn't too hard), and I replied that I genuinely appreciated such a lovely comment.

Anyway...enough of that nd on with the music....today's cut is another slice of the 'Jamdown but this time it's a slice of Rocksteady from the Kingstonians'.

musicology #456

TheManWithTheBag #6

(Nitty Gritty – We 3 Kings)

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Moving out of the 50’s Doo Wop into a majestic slice of mid 80’s Christmas dancehall Reggae from Santa’s ‘JamDown’ bag courtesy of Glen Augustus Holness a.k.a ‘Nitty Gritty’ one of my favourite DJ’s. Born in Kingston in 1957 His life was cut short at the tender age of 34 outside Super Power record shop in New York. Much speculation as to the who and why and as I wasn’t there I’m not going to add to it. Suffice it to say that yet another talented artist was cut down in his prime by gunshot.

musicology #455

TheManWithTheBag #5

(The Drifters – The Bells Of St Mary’s)

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One of themusicologist’s personal Christmas favourites. Been with me for as long as I can remember. Recorded and released on an Atlantic 78/45 in 1954. Over half a century old and still as fresh as spring daisies..(the cracks and hisses aside !!), Of course it’s Clyde McPhatter on lead just after he had left Billy Ward’s Dominoes to form the first incarnation of the Drifters.

musicology #454

TheManWithTheBag #4

(Jimmy Smith – Silent Night)

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What is it with 1964?? 3 out of 4 so far from that year…hmmm. Anyway on with the Christmas showdown with a cut from Organist supreme Jimmy ‘The Cat’ Smith with a piece that just gets better and better as the tune unfolds. We all know his qualities so no need to wax lyrical about them….Recorded for and released on Verve. Step up Jimbo and let the people know what time, (of year), it is.

musicology #453

TheManWithTheBag #3

(Butterbeans & Susie – Papa Ain’t No Santa Claus)

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Top ranking slice of the Christmas pie courtesy of three swingin’ Cats, Butterbeans & Susie, (Jodie Edwards and Susie Hawthorne), a long standing and much loved Vaudeville duo who teamed up in 1916 !! and Jazz pianist Eddie Heywood….who went on to play with such luminaries as Billie Holiday, Benny ‘King’ Carter and Coleman Hawkins as wel as performing in his own right. Recorded in New York City, (ahhh…New York…what memories), on Wednesday August 13th 1930 and released on an OKeh 78.

musicology #452

TheManWithTheBag #2

(Carla Thomas – Gee Whiz It’s Christmas)

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Slipping out of the Wailers into a festive 60’s Soul cut courtesy of Jim Stewart’s majestic Memphis Rhythm & Blues/Soul shack…Stax.

From memory, (my wax is locked away while I navigate this period of transition), it was released (I have it on an Atlantic 45), in 1964. The singer is the beautiful and hugely talented song bird Carla Thomas whose voice melts my soul quicker than hot butter on breakfast toast. (Backed by Booker T and The MG’s).

musicology #451

TheManWithTheBag #1

(The Wailers – Christmas Time)

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The time has come to roll out this years Christmas selection..what a difference a year makes !! could never have imagined that my/our whole world would have turned on it’s head but in the words of Lord Creator…Such Is Life or even master Terry Callier, C’est La Vie..(yet to feature but soon come), if I thought 2008 was a hill and gully ride then F**k knows what to call 2009 !! still..we made it through and I’m feeling very positive about the prospects for 2010, (couldn’t get any worse?…hahahahahahahahaha…I gots to laugh), one thing about adversity…you either get through it and emerge stronger or it gets the best of you and f**ks you good and proper. For all the Cats on both sides of this fence…I feel for you..know that musically themusicologist has ‘got your back’ and if you want me to lay one down especially for you then check me and I’ll see what I can do.

First cut is a top ranking slice of the Christmas musicology pie from None other than the Wailin’ Wailers (Peter, Bob and Bunny), with a majestic piece of rip roaring Ska out of the bowels of Sir Coxsone Dodds legendary Studio 1. Originally released in December 1964 as a 45 in JA on Dodd’s Muzik City label as ‘Christmas Is Here’ backed, (of course), by The Skatalites

musicology #450

3 Is TheMagicNumber #3

(India Arie – Headed In The Right Direction)

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Final cut of the magic number and then it’s on to the Christmas selection…beginning to feel like I can walk on emotional water which makes a big difference from feeling like I was drowning in it. last week I learned the difference between the language of being and the language of having and it is a beautiful, liberating feeling that I have yet to find the words to express. I don’t know if I ever will but in truth..to feel it is enough.

Picking a piece out of THOUSANDS is always a challenge, (and no mistake), but for me that’s what themusicologist is there for…communicating a message utilising the universal language.. It’s been almost 3 years now that I have been bearing my soul on this musical diary and not only is it extremely cathartic but It has also allowed me the space to express myself with authenticity.

Today’s cut is courtesy of an artist who has helped me to learn the difference between having and being. Borrowed from her second set Voyage To India…a set that everyone should own. Just like to add that one of the authors who has been a guide over these last few weeks goes by the name of Erich Fromm especially his book ‘The Art Of Being’.

musicology #449

3 Is TheMagicNumber #2

(Beres Hammond – Always Be There)

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Small piece frazzled today..didn’t have a late one, (home by 1:30am), but people kept offering to buy me drinks once they found out it was my birthday and I know I could have refused or had water but I didn’t….got to change my poison from vodka as it doesn’t do me any favours the day after. In fact I very rarely drink alcohol, (only when I’m out on the tiles), so it should be easy for me to swerve it. Good night though spent with two true spars. the kind of friends that you would stand with under any circumstances no matter what the odds. I love them both dearly and always enjoy their company and spending the remainder of my birthday with them was a bonus on top of a fantastic day.

today’s cut is courtesy of another Jamaican musicologist and vocalist of the highest order who has already featured on themusicologist and will have his own week on here soon..Hugh Beresford Hammond with the type of cut the man is famous across Jamaica for delivering with all the sincerity and tenderness that could be poured into a song..from memory the 45 is on the Star Trail label which is responsible for many, many fine cuts of 90’s reggae. I’m shooting from the hip but, again from memory, I believe the year to be 1996/7

musicology #448

3 Is The Magic Number #1

(Gregory Issacs – Storm)

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Today is my birthday..and I am having a great day..one of the best I have ever had ! Some beautiful and touching messages from my friends and loved ones..bought myself a wicked pair of ‘Rhythm & Blues’, slipping out for a few hours with two of my main spars and the icing on the cake…our children have arranged to take me out for a birthday meal…tears of joy.

As for the musicology…after the recent New York New York special, (words fail me), I would like to take this small window, (Christmas selection soon come !), to lay down 3 cuts in an effort to try and let the Cats know where I’m at..first up it’s one from the inimitable Cool Ruler. Jamaican music doesn’t get much better than when Gregry’ steps in to the studio, (or live on stage), and delivers. From 1968 right up to the present the legend has graced us with his ability to connect and communicate and this one is just one example out of, (quite literally), hundreds. Someone played themusicologist at his own game a few days ago and laid down a slice of Gregory which moved and inspired me and this piece is in reply. You know the score.

musicology #447

NewYork NewYork #6

(Curtis Mayfield – We’re A Winner)

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Monday morning, (and I mean morning !), in the Big A and my mind has been spinning like a whirling dervish trying to make some sense of this thing we call life. Was out all day yesterday and didn’t find the time and space to throw down a cut and today’s my last day so I’m determined to lay a farewell slice of the NewYork pie on the line…was all over Manhattan like a rash yesterday starting in a well known electronic/photographic retail emporium in search of a Lumix GF1 camera after being well and truly bitten by it’s amazing reviews but no dice as they are continually out of stock such is it’s popularity, making the desire to own one even greater. Then a short walk through Hells Kitchen on a mission to find a cupcake shop for Lucy’s friend where we breezed through a flea market. Nothing really took my eye enough for me to put my hand in my ’sky’ other than a small photograph which will serve as a visual reminder. a short walk through Times Square and onto lunch at Cipriani’s in Grand Central where we indulged in their famed Bellini..I’m not used to eating in the afternoon and after a cauliflower soup and a serving of Eggs Benedict I was well and truly stuffed and so we waddled down to the subway to take a ride downtown for a bit of retail therapy..truth was that nothing inspired me enough to buy other than a small gift a piece for Con and Fabes..I need to feel the vibes to shop and yesterday didn’t have that flavour. 4 days hasn’t been enough, I haven’t even begun to speak about what’s in my heart and on my mind. Didn’t sleep much last night and find myself standing on a crossroads..might step out? walking the streets often helps me to find the way.

The cut today has major significence for me as, (according to my dad), it was the tune that he used to rock me to sleep as a babe in arms, many moons have waned since then but my deep appreciation for Curtis continues and will remain until the ‘12th of never’. Recorded live at New York’s ‘Bitter End’ in 1970 regulars on themusicologist may be aware that pieces from the set have already featured here over the years and that not only is it my oldest musical memory but also my most treasured. from the Intro on side 1 right through to the outro on side 2 every recorded moment hangs off the top branch of the musicology tree.

LISTEN TUNE

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musicology #446

NewYork NewYork #5

(9th Wonder feat ??? - New New York)

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Saturday morning in the big A...and the city that never sleeps is snoring like a baby..I have been awake since 5:30 and looking out the window I don't see a soul ! from where i'm plotted (the corner of 56 and Lex) and I'm itching to get out and tread some pavement....
Arrived in Manhattan yesterday afternoon after shooting the breeze all the way from JFK with a driver who hustled the fare between me and some Irish kid..which as it turned out was perfect because we spoke first about cricket, (he is from Trinidad), and then moved onto politricks, a topic I always enjoy. The fare was the same as I would have paid in a yellow so all good..although I wouldn't recommend it to anyone else. Unlicensed cars are dangerous and should never really be taken especially 'up a foreign'.

Went to see a Bauhaus exhibition at the MoMa which was great due purely to the company I'm keeping on this whistle stop visit. Don't get me wrong I am a big fan of the movement especially the photography and the architecture and it was nice to visit the MoMa but my primary reason for being here is to spend some QT with someone I have deep but as yet unpronounced feelings for..don't worry I'm working up the courage to express myself in person but fear of rejection is the river I have always found hardest to cross but my will to succeed is growing stronger as I absorb my experiences along the way so I am determined to cross by any means neccessary after all what could be worse than drowning in fear?

Anyway, before I wander off into my all too frequent ramblings let's get back to the music. Today's cut is a wicked slice of what I have always known and will continue to call Hip-Hop...shows my age no doubt but I remember the inspirational call to arms when it sounded in the early 80's and I marched right along with it until1985 when something else caught my ear.

Them early cuts hold great memories for me and one day I'm planning on rolling out a selection on themusicologist to pay tribute to cats like Whodini, Grandmaster Flash, Marley Marl, The Soul Sonic Force, Newcleus, The Wrecking Cru, UTFO, Run Dmc etc, ( to name but a few), for pioneering a NEW modernist sound..which along with 'House', (another musical product of the generation I am proud to have been on the vanguard of), have been the two most influential movements of the last 30 years. I look and listen around now and all I see and hear are variations on recurring themes that make me wonder if we have arrived at a point where 'cultural history' is on a loop?

So here without delay is a top ranking cut that is inspiring a rennaisance in the genre for themusicologist..extra BIG shout of love going out to our two children especially Fabian who likes this one. Haven't got all my details here so i'm a bit lost regarding the details...all I do know off the top of my head is that it's a 9th Wonder production and it's absolutely top class that for me has the lot..lyrics, music and delivery.

Listen tune..

musicology #445

NewYork NewYork #4

(Leadbelly – New York City)

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Ranking slice of New York musicology from the man known as Leadbelly. Much speculation as to the origin of the name but my money is on his fellow inmates in ‘Angola’ mispronouncing it. The two others that I like the sound of are his ability to drink hardcore moonshine and the belly full of lead he apparently took from a 12 bore shotgun…

Not sure where I’ll be posting from tomorrow..as I’m landing in JFK around 1pm but I’ll try my best to keep up the flow..

musicology #444

NewYork NewYork #3

(Gil Scott Heron – Madison Avenue)

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Bit late with today’s cut..such is life.
So without further delay hold this piece, (from his 1978 set ‘Secrets’ from Gil Scott Heron, a Cat who speaks.

Of interest, (at least to the football lovers among us), is that his father is the acclaimed footballer Giles Heron..the first Jamaican to play for Celtic in the 1950’s !!

musicology #443

NewYork NewYork #2

(Bob Dylan – Talkin’ New York)

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Highlighted from his first LP. Recorded in late 1961 but released in March 1962. One of only two songs written by him, (the rest being interpretations). This cut describes his feelings on his arrival and subsequent early days in the big apple. Produced by the legendary John Hammond only two months after their first meeting…Didn’t receive much attention in America but went down well over here in England.

musicology #442

NewYork NewYork #1

(Kool G Rap – Streets Of New York)

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This week it’s all about NYC..The Big Apple. Why? because I’m going there on Friday to spend a few days with someone very special who is and has been an inspiration. Words don’t tend to do feelings justice so I’ll leave it at that…regular visitors to themusicologist will know that I have a tendency to wax lyrical and believe me I would like to continue in that tradition but being a dyed in the wool romantic the poetry could run away with me so I’ll do me best to rein it in before I get all 18th Century on yer arse and end up prancing about in velvet suits, curling up my ‘locks’ and spouting Wordsworth and Coleridge poems !!

So to balance that out hold this piece of 21st Century hip-hop from one of New York City’s legendary lyricists, the trail blazing, Kool G Rap .. one of the greatest rappers to have ever graced the M.I.C whose legacy runs deep. Member of Marley Marl’s Juice Crew, (along with MC Shan, Roxanne Shante, Big Daddy Kane and BizMarkie), the Cat has influenced many a BIG name and is highly regarded and respected by those in the know as a progenitor of the style which now dominates. A man whose authenticity regarding street narrative is beyond doubt..one final piece of information..he was born in 1968 which seems to be a significant year for many reasons.

musicology #0441

Fragments #7

(Gil Scott Heron – Inner City Blues)

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“Four vital functions as basic as the four elements: Sexuality, sociality, ideation and glory. Or: pleasure, speech, thought and prestige.
Being deprived of any of the four leads to stupor and death.”

Final piece of the Fragments selection..could have gone on for a while longer but new inspiration is knocking on themusicologist’s door so tomorrow I’m rolling out a new theme…just like to finish the ‘Fragments’ by paying a final tribute to Baudrillard for delivering such profound insights into the age of banality that we find ourselves inhabiting..for me the Cat penetrates some dark corners with illuminating observations.

What better way to wind up this session than with a combination of Marvin Gaye and Gil Scott Heron..I’ll say no more and just leave it up to the two of them to lay it on you.

musicology #440

Fragments #6

(New Power Generation – Guess Who’s Knockin’)

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“The objective is always to pull out the tablecloth without in any way changing the arrangement of the table“

Short but so sweet. Scathing social critique from a master of suspicion.

The cut is courtesy of Prince project The New Power Generation. Featuring lead vocals from original member Tony M. Just like to add that by laying this one down I’m risking the wrath of a certain musician whose name I shall refrain from mentioning because rumour has it that he had it removed from this, the original 1993, set due to an unlicensed sample…so do me a favour and keep it on the ‘DL’.

The connection? .. The set was released in the same year that Baudrillard penned the fragment above.

musicology #439

Fragments #5

(Junior Byles - Fade Away)

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"There is nothing left to protect us from the scene of the real. Nothing left to protect us from the obscenity of the virtual, (of information, transparency etc). We are no longer the actors of the real but the double agents of the virtual"

Baudrillard, (among others), spoke of the 'Hyper - Real'. Which, as I have understood/interpreted it, is the place where reality, (of human contact, emotion, character and such things that used to define being human), is replaced by the virtual, (particularly visual media). Almost everything in the virtual is created, faked or at least edited to present and maintain the illusion of progress..politics and the news are clear examples...both offer but deliver nothing real.

Society is rotten at the core, (maybe it has always been?), and to cover that truth/reality the hyper - real was created to take our 'eye off the game'. Look at the growth in so called social networking, (or to put it another way the network economy), which is clearly the brave new world of the hyper real...

almost everyone I know, (rebels..hold firm), is on facebook..my children included. It seems to be the place where people choose to 'communicate' to their 'friends' and more importantly colleagues on the banality that fills the post modern desert that has been created for and forced on us. Do a search and see for yourself what the champions of the hyper-real are trading in. My guess is that it's value-less mediocrity or in the case of politricks....tomorrow. the day that never comes.

Anyway...enough of the social comentary and on with the musicology...Today's cut is from the enigmatic Junior Byles..well known slice of the Channel 1 pie that has trembled my marrow for at least 25 years...Seems like the right time has come to throw it down.

musicology #438

Fragments #4

(The Stars Of Harmony - Rough & Rocky Road)

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"The advantage of being happy is that one is rid of the question of happiness> The advantage of being free is that one is rid of the question of freedom.

It is at this point that everything begins: when the concepts which existed only as questions appear as answers. It is the end of the cycle and the beginning of a new turning point: how can we rediscover the question behind the answer - how can we rediscover, behind happiness, the idea of happiness?"

The musicology is a piece of rip roaring gospel courtesy of a group that go by the appropriate name of 'The Stars Of Harmony'...enough said.

musicology #437

Fragments #3

(Akon, Feat T-Pain – U Got Me)

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The dialectic of the emotions is like that of the sign and the ascendant. The two may be in conjunction or opposed. The sign alone is not enough: you have to have the ascendant too. It is not enough just to be happy: this has to give you pleasure too. It is not enough just to be unhappy: this has to hurt. Without the aura of pleasure, happiness is sad indeed; without the idea of pleasure, there is mere mammalian enjoyment. But without the aura of suffering, unhappiness is also sad indeed.

There is always a transcendence of pleasure or unpleasure beyond the fact of being happy or unhappy.

The hypocritical accounts which set happiness and unhappiness in opposition miss this subtlety which unites them in a common division – in that reversibility of each which, in the end, constitutes our true happiness. We still have the freedom to use this and abuse it extravagently, and only what takes this freedom from us makes us truly unhappy beings.

The cut today is from a contemporary artist who for me is proof that music continues to transcend and inspire even in this age of banality where e-con-omics has reduced everything, (especially culture), to profit and loss..Of course this artist makes money, (and plenty of it), but the cat still delivers quality. I would imagine that part of this musical ability is his heritage..Akon’s pops is famed Senegalese percussionist and cultural historian Mor Thiam whose surname means “historian” in his native tongue and comes from a family whose members use drums to tell the story of Senegal’s Wolof people..

musicology #436

Fragments #2

(Marvin Gaye – In Our Lifetime)

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“The psychiatrists, analysts and all the psychological and social experts complain that they have to repair the immense damage done, to children in particular, by the social , parental and educational systems. But this human wastage is their stock in trade, whether they be therapists, politicians or social workers and the like. If everything only went well, the social welfare field would disappear, and all these fine people would be laid off. The system feeds, then, on its own misfortune. And every agonizing revision or alternative would involve an even more complicated, even more perverse machination”.

the musicology is courtesy of Marvin with a quality piece of 80’s Boogie from his final Motown set ‘In Our Lifetime’

musicology #435

Fragments #1

(Beres Hammond – Giving Thanks)

LISTEN

New theme starts this week the title of which is owed to the small book that I have just read and been inspired by, (this theme could run for a while).The author is Jean Baudrillard and what I plan to do is highlight one ‘fragment’ every day and lay it down here. First up;

” History reproducing itself becomes farce. Farce reproducing itself becomes history”

backed up by a random slice of musicology that is not necessarily connected to the quote but has also ’spoken’ to me recently….

On the subject of inspiration I would like to take this opportunity to pay a special tribute to a true friend, (and they don’t grow on trees), whose company I had the PLEASURE of sharing on Friday night and well into Saturday morning who has been a constant source through these troubled times…and I hope will continue to be forever..you bring the sun out..thank you.

The cut is from the magnificent Hugh Beresford Hammond..Jamaican musicologist of the first degree..whose career stretches back into the 70’s and is yet another Jamaican singer and songwriter who deserves far more international exposure than he has received especially when there is so much po(o)p out there these days..anyway, rather than launch into a tirade about the state of the music industry I’ll just let Beres ’speak’

Butterfly Mind #4

(James Brown – I Got To Move)

LISTEN

BIG tune on London’s rare groove scene back in 1986 when first released. amazingly this cut was previously unissued but Soul Brother Number 1 and full crew, (The Jb’s), had already been tearing up the dancefloors of London’s underground movement for a year or more along with the cream of the soul and funk that came out of America during the late sixties and early 70’s. music which had largely gone unnoticed before it’s London revival. Not suggesting that it was unknown but guess what…it wasn’t called rare groove for nothing and no matter what is said it was in London that it sprung forth and multiplied. themusicologist was there and remembers it well. Great times, cherished memories.

musicology #433

Butterfly Mind #3

(Sharon Jones & The Dap Kings – Nobody’s Baby)

LISTEN

What can I say about Sharon Jones and the Dap Kings? not sure so I’m just going to let the cut speak.

musicology #432

butterfly mind #2

(Anthony Malvo – Simmer Down)

LISTEN TUNE

part two of the butterfly..

majestic piece of 90’s steppers from ‘Red Rose’. have an even better cut !! on this rhythm but I’ll keep that one in reserve until the right time come.

musicology #431

butterfly mind #1

(Delroy Wilson – Keep On Trying)

LISTEN

Over the last few days/weeks/months..maybe even years !! I have been doing a LOT of, (maybe too much?), thinking and subsequently find myself a bit lost as I wander through a maze of internal dialogue that seems to do nothing but ask questions.

The butterfly mind has that capacity, mesmerising to observe as it flutters from one place to another but a hard road to travel and extremely distracting. I don’t know whether ‘the road’ leads anywhere particular as, for me, it tends to be the journey more than the destination but responsibility both for self and others, (children), is a great leveller and something I take VERY seriously so it feels like I’ll have to turn my gaze from the butterfly and focus instead on building “a heaven on the earth”

as for themusicologist, I have spent too much energy searching for cuts that expressed my deepest feelings which has bottlenecked the flow of music. so from now my intention is to set the music free from the bondage of too much meaning and just try to lay down one slice a day that I feel like sharing. It will continue to be the soundtrack to my life but with a little more freedom.

first up…one from Delro’ (Wilson), Jamaican musicologist and sweet soul singer whose career stretches way back to the early sixties when he cut his recording teeth in 1963 at the tender age of 15, hooking up to Sir Coxsone, Downbeat the Ruler Dodd’s Studio 1. big 10 inch from the 1970’s on one of Coxsone’s many labels, (music lab).

musicology #430

noExcuses #7

(Spring, Summer, Autumn – Style Council)

LISTEN

Final cut of the noExcuses and i’m feeling it. Thanks for the ride and the memories they have predominantly been sweet and most importantly have delivered two living dreams.

Todays slice is courtesy of the Style Council whose musicology has always cut through my existence like a hot knife through butter.

I will learn, I will grow,
And for my pain, my strength shall show,
For as surely as Spring will come,
Bringing freshness to order’s dance,
Until the ices melt away,
Then we will live again,
I will try, I will succeed,
To train my sights upon the deep,
And wait for Summer’s bloom to come,
Bringing warmth to the frozen hearts,
Until the skies are filled with love,
Then we will live again,

I will search, I will find,
And grow again the parts that died,
Like the changes that Autumn brings,
We need the courage to go ahead,
And not cling on to the past,
Then we can live again

musicology #429

noExcuses #6

(No More Blues – Terry Callier)

LISTEN

Even though I have MANY slices of musicology to choose from in all sincerity, for me, this is the one which authentically nails the way I feel TODAY which, let’s face it..is all there really is….A man once proclaimed, (musicology #363)

“The aristocrats live in the past, the proletariat live in the present and the poor bourgeoisie live for the future”

Well..I don’t think you need me to tell you that tomorrow never comes and as sure as the sun shines you will die waiting for it. while looking back and living for, (and in), the past will fuck your heart, mind or both beyond repair.

so with that in heart…hold this cut from the majestic Terry Callier. 1998 cut borrowed, (again), from his Timepeace set..what a poet.

musicology #428

noExcuses #5

(Live Good – Burning Spear)

LISTEN

oi..3 days running !!

are the storm clouds lifting and is that the sun I can see trying to break through?
dont know for sure but what I am learning along the way is how authenticity can and does challenge existence. when someone wants to hurt and blame you for the muck in their life there’s a choice for you to make.
do you look to excuse, (blame), yesterdays behaviour and argue or do you genuinely take full responsibility for your actions, recognise your weakness and resolve to not make the same mistakes again? as the title of this theme suggests for themusicologist the choice I choose to make is, noExcuses.

Today’s cut is courtesy of the genius that is Winston Rodney a.k.a Burning Spear with a top ranking slice of the Studio 1 musicological ‘pie’…

musicology #427

noExcuses #4

(Children Of The Ghetto – Real Thing)

LISTEN

two slices ‘on the spin’ !!
progress.
is this a sign that themusicologist is back in the saddle?
who knows what tomorrow might bring? not me..what I do know though is that a ‘better’ tomorrow starts with one’s actions of today.

Back to the musicology which courtesy of England’s own 80’s Soul and Boogie collective known as the ‘Real Thing’ who many may have heard of in relation to their hit “You To Me Are Everything”. This piece, (more recently covered by Mary J Blige), is borrowed from their album 4 From 8 and goes out to all the children who know how it feels to live/have lived it. Stand strong, keep your heads held high, don’t allow the shit to get permanently stuck on your ’shoes’ or let other people try to tell YOU who YOU are and remember that:

“Deep inside the ghetto there’s a unity,
That cancels out the sorrow and the misery”

musicology #426

noExcuses #3

(Brand New Start – Paul Weller)

LISTEN

must have already laid this one down along the way but today it’s in honour of the two most beautiful and inspirational parts of my whole..one of which, (who is 11 years old), said to me the other night

“don’t worry dad, a new start is much better than a bad one”

how’s that for wisdom..choked me and I cried !! took me two days to absorb it but it was while listening to this cut yesterday that the full force hit me like a runaway train and then, (less than an hour later), just to make sure that I didn’t miss the opportunity one of the the other parts of my heart and soul (independently), checked in to ask for MY help..

Bravery and courage come in many forms but children are purity personified and when they knock I am, and will always be, there with door, arms and heart WIDE open.

Just like to add my deep thanks to Paul Weller for also being a huge inspiration and trusted guide on the journey.

musicology #425

noExcuses #2

(You Got My Mind Messed Up – James Carr)

LISTEN

too many cuts to choose from and my butterfly mind certainly needs direction while my heart weeps.
today’s slice is courtesy of the majestic James Carr a cat who had the misfortune of suffering from a condition known medically as Bi-Polar Dis-order. What that means, (like many mental conditions), is debatable but it is especially poignant for themusicologist as a much loved and cherished companion is also going through a period of transition that is in danger of being labelled. Recorded and released in 1966 on the Goldwax label.

musicology #424

noExcuses #1

(Paul Weller – Cold Moments)

LISTEN

Tried countless times over the last few weeks to get back in themusicologist saddle and every time something changes, (such is life), so what is themusicologist going to DO about it. Stop thinking and start throwing em down, day to day without thought or reflection..cuts that are rocking my soul. musicology style, without pages of the incessant internal dialogue that flows in, out and through this current fucked up mess of the life that I take FULL responsibility…..and with authenticity offer NO EXCUSES for

First up it’s a cut from one my long time trusted guides Paul Weller, who hasbeen there for themusicologist since the late 70’s around the time I entered what is sometimes referred to as the ninth year transition. Borrowed from his No 1 album from last year 22 Dreams..also featuring among others the all round talents of Steve Craddock and the drumming expertise of Steve White.

Listen keenly to the RIDE and if you refuse, (for whatever reason), then step the fuck off this musicology train and perhaps get back on board somewhere down the line. I have no intentions other than to share the way I feel which is always in flux and has no meaning other than in the here and now.

musicology #0422

nowordsjustmusic2 #2

(Randy Crawford - Trade Winds)

Listen Tune....

musicology #419

AfterTheStorm #4

(John Coltrane – Equinox)

LISTEN

One from the ‘Trane…A Giant whose drive to communicate his feelings using the universal language is, (as far as I am aware), almost unparalleled. Technically there are other great musicians but something about John Coltrane feels unique. I am no Coltrane or Jazz scholar and his music only found me when I was searching for something that could define my deeply complex feelings about a deeply profound life experience, (musicology #6)

The piece that found me was from one of his masterpieces ‘A Love Supreme’ and since that day, (which inspired me beyond belief) his spirit sits among the pantheon of musicologists who I am honoured to call guide.

This cut, (recorded in 1960), was released in 1964 on an Atlantic album called Coltrane’s Sound and features the backbone of the quartet that took music somewhere new, pianist McCoy Tyner and drummer Elvin Jones, (along with bass player Steve Davis)

Hold this quote from Elvin Jones

“To me he was like an angel on earth. He struck me that deeply. If there’s any such thing as a perfect man, I think John Coltrane was one and I think that kind of perfection has to come from a greater force than is here on earth”

musicology #418

AfterTheStorm #3

(Ludovico Einaudi – Ora)

LISTEN

Deeply profound slice of the universal language from communicator supreme Ludovico Einaudi.
Words could never do it justice so i’ll leave it to the man to ’speak’

musicology #417

AfterTheStorm #2

(Skatalites - The Reburial)

LISTEN

Stepping up the pace with this majestic piece of Jamaican musicology, (a tribute to Marcus Garvey), from the vaults. Recorded at Coxsone's Brentford Road powerhouse, Studio 1 for Justin Yap and released on his top ranking Top Deck label

musicology #416

AfterTheStorm #1 (Mulatu Astatqe - Tezeta)

LISTEN Day one.. Beautiful piece of musicology that has always felt to me like bathing in sunlight at the break of day. 'Son'..this one's for you.

musicology #412

Terry Callier #4

(Terry Callier – Fool em I Fool R U)

LISTEN

Slipping out of Mr Callier’s first cut in 1963 into today’s piece of MAJESTY from his current 2009 set ‘Hidden Conversations‘. TOP ranking piece of 21st century ‘Steppers’ from the Man. A message of genuine authenticity from a man who walks it like he talks it…and let’s be honest, they don’tgrow on trees..

Oh yeah…I’m experimenting with a new piece of interactivity on themusicologist today..it’s a ‘Ratings’ thing just to get a better idea of what the community are in to. Not sure whether It will be a permanent fixture yet…just testing it to see if it has any value.

Well….? Huh, Is this a game we play, Just a phase we go through, Is this the price we pay, Will there be reperations too, If we’re not careful what we say, If we ain’t careful what we do, What kind of fool am I, What kind of fool are you,

You can read it on the printed page, It’s a fender bender…and road rage, One for all and all for one, Until some asshole pulls a gun, Somebody’s hurt and somebody cries, And somebody lives…somebody dies, And we hear pleas of innocence.. Mental impairment and self defense, Hey what can the matter be, What’s happening with society, And what’s the ransom and the cost, To save a generation lost, Who’s able to complete the task, Solve the riddle and lift the mask, Yeah pardon me but I just got to ask

This a game we play, Just a phase we going through, Is this the price we pay, Will there be reparations too, If we’re not careful what we say, We ain’t careful what we do, What kind of fool am I, What kind of fool are you,

And so we catch the evening news, With all of these conflicting views, Plague and famine..third world plights, Poverty and womens rights, Yea bishop when does life begin, And what’s a crime and what’s a sin, Hey is there some kind of master plan, To bring peace to the holy hands, In brightest day or darkest night, There’s rifle fire left and right, And on this dark and dangerous road, How long before the world explodes, But one for the money…two for the show, If we got to reap just what we sow, Hey pardon me but I just got to know,

Is this a game we play, Just a phase we going through, Is this the price we pay, For reparations overdue, If we’re not careful what we say, If we ain’t careful what we do, What kind of fool am I, What kind of fool are you.

musicology #411

Terry Callier #3

(Terry Callier – Look At Me Now)

LISTEN

Mr Callier’s first recording. Released as a 45 in 1963 !!

Now my people think that I just fake it,
I know I do things they don’t understand,
So I’ve got to show ‘em I can take it yeah,
I’ve got to show ‘em I can be a man,
Still there’s somethings that never have appealed to me,
Like standing out in front of a crowd,
Well people just you wait and see,
I’m gonna give you reason to be proud,

I’m gonna make it some day,
I’m gonna make it somehow,
Then I’ll be able to say hey,
Take a look at me know,
Yeah look at me know,

Well now my woman thinks I’m just a dreamer,
And she’s right about me I suppose,
But I could never, never, never be a schemer,
I don’t know the things a schemer knows,
But I do know there’s a better day coming up soon,
And baby just you wait and see,
I’ll find us a light in this darkness,
If you just have faith in me,

I’m gonna make it some day yeah,
Gonna make it somehow,
I’ll be able to say yeah, yeah, yeah
Baby look at me know,
Look at me know,
Look at me know,
Look at me know

musicology #410

Terry Callier #2

(Terry Callier – Alley Wind Song (Original Demo)

LISTEN

A quote from the man himself:

“People everywhere are searching, searching for a spiritual base to stand on, reach out from and react to. The way I understand it, I’m supposed to put the message out there as clearly as I can. The rest has to take care of itself.”

“And hear some strange magic man work some ju-ju if you can,
Or do you know a spell that’s worth repeating,
Trace your pictures in the sand,
Tell me can you work a mojo hand,
Can you start the drums of Kuru beating,
Beware of the South wind,
The heart and mind and mouth wind
And search the sacred sands for a solution,

And tell me now..is it true if I put faith in you,
Will you lead me to the bridge of bright tomorrows,
And will your grace see me through,
Will incense and candles do,
Will prayer remove me from the reach of sorrow,
Oh beware of the North wind,
A king of worlds comes forth wind,
And blow apoun the land in retribution,

In the land of the free where the huddled masses flee,
From the cold and cruel worlds of wars dominion,
In a dusky mirror that I see,
Dont you know it got a hold back on my jubilee,
If freedom’s just a matter of opinion,
Ah beware of the West wind,
A bitter black suppressive wind,
That leads your children home for revolution,
That leads your children home for revolution,

Listening ones…if I sing,
Will that make you do your thing,
Will the chatting reach your high and lofty places,
And what is this strange gift you bring,
It’s sparkling like a diamond ring,
Will that bright light reveal the prince of faces,
Beware of the East wind,
A god of man and beast wind,
A famine and or feast wind,
And the last but not the least wind,
A threat of silver fleece wind,
A follow great release wind,
Blowin all across the land,
Blowin all across the land,
Where you stand,
Where will you stand,

musicology #409

Terry Callier #1

(Terry Callier – What Colour Is Love)

LISTEN

“After the storm say there must be a calm and as much as the process of catharsis continues for me I feel like the, (metaphorical), dark clouds are lifting and the sun is beginning to break through. Intense and passionate, (whatever the situation), I tend to immerse myself in the joy and the pain of existence and am always looking to engage with the project of living rather than watch it pass me by. I don’t believe in the afterlife and have witnessed how short our time on this beautiful rock can be. Not for me to look back and wonder what might have been so the “what if” question is never asked. Music for me doesn’t imitate life it opens a dialogue and last weeks theme has delivered aspace for reflection and resolution.

Today’s cut kicks off a week long tribute to a Cat who has been an important and valued guide over the past few months the inspirational Terry Callier whose qualities are beyond doubt and question. A poet who stands tall in an age where it seems to me many are retreating to Plato’s ‘cave’ of illusion and appearance.

Highlighted from his 1973 set ‘What Colour Is Love’

Listen Tune.

“Is it wrong or is it right,
Is it black or is it white,
What colour is love,
Is it here or is it there,
Is it really everywhere,
What colour is love,
Is it strong like the mountains
Or deep like a fountain,that’s flowing free
And what about me,
How can you receive,
If youre not a believer
Is it blue like the sky,
And does it really reach that high,
What colour is love,
Is it near or is it far,
Is it distant like a star,
What colour is love,
Does it glow like an ember,
And do you you remember,
If love doesn’t last,
Does it live in the past,
And a heart cannot live,
If a heart isn’t giving,
When it’s over does it show,
Does it leave an afterglow
And I really want to know,
What colour is love?

musicology #408

Catharsis #6

(Bill Withers – I Wish You Well)

LISTEN

final cut of the Catharsis and what better way to end the theme than with another slice from one of my primary guides on the journey…William Harrison Withers Jnr with a piece of sentiment from the deepest depths of my heart. Released in 1975, borrowed from his ‘Making Music’ set.

“I wish you flowers, sunshine and smiles,
I wish you children that grow to make make you proud,
I wish you…pretty things to wear…sweet things to smell,

I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),

I wish you good friends that always treat you fair,
Wanna wish you ribbons to tie round your hair,
I wish you…truck loads of cheer,
Many happy years,

I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),

Wanna wish you freedom to do all the things you love,
Wanna wish you blesssings and kindness from above,
Wanna wish you sunlight through the clouds,
Hope you laugh out loud,

I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
Oh now I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
Lord now, I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well),
I wish you well, (oh I wish you well)”

musicology #407

Catharsis #5

(India Arie – Slow Down)

LISTEN

Working the Tees yesterday and couldnt find the time and space to throw down a slice of the Cathartic Pie. Listening to and learning from music ALL day though so was most definately In Training for themusicologist and today’s artist will always hold special memories for me due to her part in helping me navigate the roughest and rockiest road I have ever stumbled down. India Arie EPITOMIZES catharsis for me and is one of the most inspirational artists I have ever had the pleasure to connect with and to.

With that in mind hold this cut from one of the GREAT sets. For themusicologist rarely does a whole set hit the bullseye but this one, (Voyage to India), certainly does.

musicology #406

Catharsis #4

(Otis Redding – Old Man Trouble)

LISTEN

Apologies for yesterday. Today I’ll make sure the cut is laid down with the post !!

Catharsis..
1: A purification or purgation of the emotions primarily through art.
2: A purification or purgation that brings about spiritual renewal or release from tension.
3: elimination of a complex by bringing it to consciousness and affording it expression.

For me themusicologist delivers all of the above and for that I am more than greatful. In fact over the past few days the raging inner storm is calming and the ‘weight’ is lifting.

I’m assuming that most, if not all, of us are feeling some kind of pressure as the curtain finally closes on the Modern World and opens on what in Philosophical terms is defined as the Post Modern world of, (among other things), decentralization, insecurity, globalization, unpaid work, marketocracy, crowdsourcing and so on and on and on. Many Modern projects that have informed us since the Enlightenment such as freedom, democracy, education and the family are being dismantled and replaced by degrees of economic slavery. It’s always a changing world but sometimes the speed of change is surprising.

So as much as I take responsibility for my actions I also know that there are external forces at work that have a great impact on the herd who tend to be oblivious to the control tactics of the masters. Therefore I will continue on the road of authenticity with my head held high and my eyes, ears and nose wide open and dismiss the one sided Apollonian ideology that reduces art to no more than “amusement governed by empty concepts” and firmly deny Plato’s view that “Art is a secondary imitation of reality and a counterfeit substitute for life itself”

Today’s cut is a fine piece of Art courtesy of the ‘Big O’. Borrowed from the great 1965 ‘Otis Blue’ set….Plato…this one’s all yours.

musicology #405

Catharsis #3

(David Ruffin - Pieces Of A Man)

LISTEN

Day three..no time to waste...no time to juggle so I'll just leave it to one of the great singers Davis Eli Ruffin to tell it like it is with this 1969 cut from his debut solo LP for Tamla Motown. Produced by Soul heavyweights and longtime musicologists Harvey Fuqua, Ivory Joe Hunter and Johnny Bristol.

musicology #404

Catharsis #2

(Bobby Womack – Games)

LISTEN

While listening to a series of lectures on the subject of Ancient Greek philosophy one of the threads focused on the opposition between Plato/Socrates and the Pre Socratics particularly the ideas of the Sophists. According to the lectures the Sophists, (in debate), are not concerned with the Truth but rather the art of persuasion while Socrates/Plato hold that it’s the Truth that matters most when determining the outcome of a debate. To put it another way Politics, certainly in the current age, is Sophistic and deals in rhetoric while Science is Socratic.

I find myself in agreement with certain aspects of each method but also refute just as much which I found confusing but yesterday I came to a realisation that much western Philosophy builds arguments on the underlying concept of Right and Wrong. Socrates for example invites opponents to play the game using his rules, (question/answer), and then proceeds to beat his opponent using logic and reason. For example Socrates might start the game by saying “Do you agree that….” and once the opponent answered would tear down the Relativist/Sophist argument based on the answer given. But there is one Sophist in Plato’s Republic who doesn’t play Socrates’ game and what this highlights is that there is of course more than one game and each one has their own set of rules.

Problems arise when we find ourselves in dialogue with those whose game and rules are different to our own. My experience is that games and rules only become clear when one or both parties are trying to base their argument on ‘Right and Wrong’ which is a concept that personally I don’t accept.

Today’s cut is courtesy of ‘the Poet’ a.k.a Bobby Womack a Cat who triggers many memories for themusicologist due to his music and message being a constant during my formative years with a piece taken from the 1981 set that was the man’s response to how life had, in his own words “turned on him”.

Just like to make clear that each slice of this cathartic pie is inspired by instinct and as such is nothing more than part of the process so bear in mind that interpretation is wholly subjective.