Showing posts with label America · Christmas · Gospel · Jazz · Soul · femalevocalsUSA Tagged: themusicologist. Show all posts
Showing posts with label America · Christmas · Gospel · Jazz · Soul · femalevocalsUSA Tagged: themusicologist. Show all posts

Monday, 29 March 2010

musicology #527

Jamaica #7

(The Techniques - Love Is A Gamble)

LISTEN

So what could have happened in 1966 to change the beat from the frenetic Ska to the laid back sound of the Rocksteady? Rumour and word has it that it was a combination of things that conspired..First of all popular information/knowledge has it that a heatwave swept the island forcing the dancers and musicians to slow the tempo..secondly as is often, (if not always), the case the time had come for the islands musicologists to evolve and in my experience slow follows quick. Thirdly, (and I'm guessing here), the Ganja may have influenced proceedings...

By 1966 many of the protaganists of the Ska were 'Beardmen' and were likely to have been 'licking chalice' Up Warika Hills with the legendary Count Ossie. I'm not suggesting that the Ganja was the chief reason for the shift..only one of many.

As for outside influences we only have to consider how Soul and the Vocal Group sound became dominant in America around this time and how much influence the likes of the Impressions subsequently had in Jamaica.

Finally and perhaps of most significance was the Skatalites splitting into two groups after the incarceration of Don Drummond in 1965...The Soul Brothers led by Roland Alphonso, (at Studio 1), and the Supersonics led by Tommy McCook, (resident at Treasure Isle). Notably Lynn Taitt is widely recognised as 'Inventing' the Rocksteady with the Hopeton Lewis cut 'Take It Easy' but other early pieces included Alton Ellis's 'Girl I've Got A Date' and Derrick Morgan's 'Rougher Than Rough', (all of which featured Lynn Taitt's guitar). Whatever the reasons for the emergence of Rocksteady it was at this junction that 'Reggae' began to take shape with the Bass rising to prominence and it must be said, (at least from my perspective), that Duke Reid wore the Rocksteady Crown.

So with that in mind the first cut has to go to the Duke and the Majestic Vocal Group known as the Techniques whose fluctuating line up included some of the great Jamaican vocalists; Slim Smith, Pat Kelly and Winston Riley as well as Junior Menz and original members Frederick Waite and Franklyn White. Clearly influenced by The Impressions this one epitomises Jamaican Vocal Group Harmony. 1967? recording on the Treasure Isle label.

Saturday, 19 December 2009

musicology #460

TheManWithTheBag #10

(Dinah Washington – Silent Night)

LISTEN

Have to throw down early today, (didn’t happen !!) as we, (kids and I), are off on a little excursion up to the beautiful Lake District, (Ambleside to be precise), for a few days to kick back before Christmas and I don’t think the internet has reached there yet !! so themusicologist won’t be able to throw down until returning to the big smoke.

STOP PRESS……in fact I’m throwing this down from Ambleside in a coffee shop with free Wi-Fi..i’ll keep it as brief as possible..our daughter is on me like a rash to get on facebook but it’s, (proper), snowing up here and the junior musicologist and I have climbed a mountain today, (look out for the pics…soon come)

Today’s fine cut is courtesy of, (in my subjective opinion of course), one of the greatest singers to have ever graced the mic. A voice overflowing with expression and emotion, drawn from the deep well of existence, (and essence), when Dinah Washington opens her heart and sings even the birds stop to listen and nod in appreciation. Born Ruth Jones, she first came to the attention of Lionel Hampton in 1943 and for the next 19 years waxed some of the most heart wrenching slices of musicology known to wo/man. Personally speaking…it’s her Mercury output that brings me to my knees, trembles my marrow and brings tears to my ‘minces’ but I could never turn Dinah off no matter what the period. (This one is from the Mercury 78)