Sunday, 8 June 2008

musicology #168

malevocals2 #6

(Fela Kuti - Sorrow, Tears & Blood)


didn’t throw one down yesterday…late night Friday and then headed straight out of ‘the smoke’ for some country air…slept for most of the day and be the time we returned it was too late.

this last cut of the malevocals is a song that has been getting a lot of exposure over the last few weeks and even though the cat in question may not be especially well known for his singing it was as a vocalist that he began his career.

as far as legends go ‘Fela’ stood as tall as anyone. almost singlehandedly inventing, (along with drummer Tony Allen), the genre known as ‘AfroBeat’. the life and times of Fela Kuti are well documented so i’ll leave it down to the music to provide an insight into the man.

taken from his 1977 album ‘Sorrow, Tears & Blood’ this is the title track about political conditions in his homeland. to say that Fela was an activist and thorn in the side of the government is an understatement for a man who was beaten to within an inch of his life, imprisoned on trumped up charges and hounded at every turn. but it never stopped him making powerful, immortal slices of music that communicated on many levels.

Fela was and still is an example of how music is the most effective form of communicating the message and is, as far as I’m concerned, the only ‘language’ that transcends all ‘boundries’

“Everybody run, run, run
everybody scatter, scatter….”

Friday, 6 June 2008

musicology #167

malevocals2 #5

(Ambelique - Yesterday)

LISTEN

big night tonight…a friend’s 40th birthday bash and ‘yer man’, (themusicologist), is selecting the sounds.

the menu consists mainly of Soul, Funk and Boogie, (70’s and 80’s), but I’ve also put together a ‘Dancehall’ set and a ‘Dubstep’ selection to satisfy all tastes…should be a top night…almost all the ‘cats’ are making an appearance.

this cut, a cover of The Beatles song ‘Yesterday’, is by one of my favourite ‘digital’ singers over the last 15 years who began his career as a youth under the tutelage of Derrick ‘One Stop’ Harriott’ in 1970 as Ramone The Mexican but it wasn’t really until 1994 when he teamed up with Sly & Robbie that his career began to take off, which just goes to show the importance of sticking to your guns. since then he has continued to ‘tear up’ the dance with his recordings and performances.

taken from a 45, (a vinyl single to all those digital heads), it’s a Clive Hunt production on the Kickin’ label from around 1996, (if memory serves me right), as is often the case there is very little information on the label, not even an ‘engineer’ credit…no surprise really as I doubt the song was licensed from whoever holds the rights.

Thursday, 5 June 2008

musicology #166

malevocals2 #4

(Leroy Hutson - Paradise)

LISTEN

today’s cut is an 80’s Soul & Boogie classic from a man whose apprenticeship was served under one of the genres undisputed kings…Curtis Mayfield. Originally a member of vocal group ‘The Nu Tones’, he went onto feature (along with Donny Hathaway), as a member of the ‘Mayfield Singers’ after hooking up with him at Howard University.

multi talented as Singer, Songwriter, (he co-wrote Donny’s solo anthem ‘The Ghetto’), arranger and musician. he took over from Curtis as lead singer of ‘The Impressions’ in 1970

in 1973 having served his apprenticeship he went solo and released some extra fine work especially on his Hutson, and Hutson II albums. This one is a later work, (1982), taken from his only album for Elektra.

Wednesday, 4 June 2008

musicology #165

malevocals2 #3

(Ray Charles - Let The Good Times Roll)

LISTEN

Today's artist needs no introduction .. a first outing on themusicologist and definitely not the last.
this tune was BIG down Winforton Street in the early 1960's. a tune that epitomised 'The Golden Age' and one of my grandad's favourites...

"hey everybody....let's have some fun, you only live but once and when you're dead you're done.."

Tuesday, 3 June 2008

musicology #164

malevocals2 #2

(Amsterdam - Jacques Brel)

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stepping outside of the sounds of Jamaica and blazing new ground with a singer from Belgium who themusicologist came across by pure chance one night when I fell asleep on the sofa with the ‘Ned Kelly’ on and was woken from my slumber not only by this cats voice, but just as importantly his passionate delivery.

I must admit I was blown away and having never listened to a song sung in French I vowed to dig some of Jacques Brel’s work up and aquaint myself with it. I can’t translate a word of it but after watching and listening to this live performance of his on the documentary it brought tears to my eyes and sent a shiver up my spine…in other words I felt it.

apparently he was a huge star in France and obviously Belgium and I can hear why. He pulled no punches and was known and well loved for his ‘protest’ songs as much as his songs of love…

it was this 1964 cut that woke me from my slumber. it’s a song about Amsterdam, sailors on shore leave and the so called dregs of society about whom Brel was a passionate defender.

David Bowie is a big fan of Brel’s, (and this song in particular), recording it first in 1970 for a John Peel session live at the BBC.

Monday, 2 June 2008

musicology #163

malevocals2 #1

(Cornell Campbell - My Country)

LISTEN

kicking off this weeks selection with a mighty cut from one of Jamaica's finest, Cornell Campbell who has been dropping musical bombs like this for almost 50, (count 'em), years. the man has laid down so many top ranking pieces it beggers belief that he is not an international star.

there at the birth of Jamaican musicology Cornell Cambell began his career at the tender age of 11, (according to the man himself), for none other than Coxsone 'Downbeat the ruler' Dodd. after a financial dispute he moved on to King Edwards, then formed vocal group 'The Sensations' with Jimmy Riley.

back to Dodd as a solo artist and lead singer of 'The Eternals' before hooking up with Bunny Lee in the early 70's...the cat has worked with all of the great Jamaican producers throughout his long career, (which is still going strong), covering almost all of the styles from R&B through to Dancehall so I'm not going to bore you with the 'information' .... i'm just going to throw this one down and leave it to you to decide.

Sunday, 1 June 2008

musicology #162

vocalgroupaction2 #7


(The C.O.D's - Michael)

LISTEN

I'm almost at the end of my tether with the f*****g BOXNET audio widget and Ive been looking at alternatives so in the VERY NEAR future expect that there will be changes made ....

in the meantime hold this 1965 Mod classic from Chicago vocalgroup The C.O.D's. who were overheard singing under a streetlamp by two cats who were so impressed with their talent that they decided to setup a label, (Kellmac), just to record them. unfortunately this was their only 'hit' so the label only lasted less than two years and a handful of releases, (3 of which are by the group)

the lineup consisted of lead singer Robert Lewis, Carl Washington and (songwriter), Larry Brownlee who alone went on to have fame as a member of the Lost Generation. Sadly Brownlee was murdered on Chi's tough streets in 1978. the other two members disappeared without musical trace...

one that themusicologist remembers well from 'back in the day' thanks to 'Uncle Johnny' who was a major influence in the formative years of my musical journey.

the tune is based on a local Chi' cat who was obviously a hit with the ladies.

starting tomorrow it's male vocal week