musicology #485

SoulBoy#4

(Keni Burke – Risin’ To The Top)

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Like I mentioned yesterday…time ain’t on my side for the next couple of days so can’t wax lyrical about today’s artist. Multi talented singer, songwriter, bass player, (today’s cut being a prime example), who wrote his first ‘hit’ at the tender age of 13 for Curtis Mayfield’s Windy C label.

Hip Hop fans, (as well as ‘Soul Boys’), will instantly recognise the BassLine which has been sampled by artists such as Doug E Fresh, Big Daddy Kane, LL Cool J, Pete Rock & CL Smooth, Mary J. Blige, and OC as well as providing the inspiration for legions of producers. The Jones Girls 1983 cut ‘All Night Long’ was 80’s Soul at it’s finest and of course it was this piece that preceeded it…would Love to share more of the Cats ‘medals’ with you but I HAVE to be out the door in ten minutes so without further delay hold this majestic slice of the 80’s Soul and Boogie pie…

musicology 484

SoulBoy#3

(D-Train – You’re The One For Me)

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for the next 3 days, (starting today), themusicologist is going AWOL so the SoulBoy posts are going to be short but, at least as far as the music is concerned, sweet. Truth is I am starting a foundation course today and I’ll be busy with it until Sunday night so with that in mind…

Today’s cut is a classic piece of Soul from the early 1980’s. BIG on the Jazz Funk scene that rocked London’s underground towards the end of the 70’s, (in reaction to the commercialisation of Disco), and lasted right up until the mid 80’s, (before Rare Groove took up the batton)

One of my favourite cuts from the period, D-Train consisted of James “D Train” Williams on lead vocals and Hubert Eaves III, (former member of funk and soul outfit Mtume), as instrumentalist. This was the version that moved the crowd mainly due to the introduction..

“With the love I have inside of me we can turn this world around,
we can live through all eternity and we’ll never touch the ground,
We’ll take a chance to ride apoun a star to a place that’s far away,
The light of love will shine on us forever and a day….”

Soul Weekender Crew…all yours..

musicology #483

SoulBoy#2

(Curtis Mayfield – Billy Jack)

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So…after yesterday’s introduction to the musicology of Soul it’s time to turn up the heat with a cut from the 70’s..not to say that yesterday’s piece from the Miracles wasn’t ‘hotter than ten fire side’ as, for me, it most certainly is but as is often the case at the dawn of things, (the birth of Soul in this instance), it’s not always as accessible until the context is expanded and the horizon widened…

Significantly it was today’s artist that first touched both my conscious and unconscious in equal amounts beginning an appreciation for the man and his ‘language’ that started from babe in arms due, in part, to my dad who is a BIG Curtis Mayfiled, (and the Impressions), fan. One of the first LP’s that I can remember in fine detail is Curtis Live, (and it’s counterpart ‘Curtis’ you know the one with the man himself on the cover in them flared strides looking of into the sunset. I have featured and wrote about Curtis many times over the past three years so excuse me if I don’t repeat what I have already written for the sake of ‘information’.

Simply put….for me Curtis is Soul personified and his message has inspired me MANY, MANY times along the ‘way’…

Highlighted from his eponymous and hard hitting 1975 social commentary set ‘There’s No Place Like America Today’…..

Just out Monday
Run into a friend
Down the street, down the street
Where I live
Ahh ahh sad things begin
I could feel from within
From the message
From the message
He had to give

‘Bout a buddy of mine
Running out of time
His life run out of time
Somebody past noon
Shot across the room
And now the man no longer lives

Too bad about him
Too sad about him
Don’t get me wrong
The man is gone
But it’s a wonder he lived this so long

Up in the city they called him Boss Jack
But down home he was a alley cat
Ah! didn’t care nothing about being black
Ah! Billy Jack

Ahh can’t be no fun, can’t be no fun
To be shot, shot with a hand gun
Body sprawled out, you without a doubt
Running people out, there on the floor

Ah, ah bad bloody mess
Shot all up in his chest
Shot in the chest
One sided duel, gun and a fool
What a way to go

Up in the city they called him Boss Jack
But down home he was a alley cat
Ah Didn’t care nothin’ bout being black
Ah Billy Jack

musicology #482

SoulBoy #1

(The Miracles – I’ll Try Something New)

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Waiting for the inspiration for a new theme it suddenly arrived yesterday out of nowhere… Soul. Why? well…above all musical genres Soul is in my flesh, blood and bones. Deeply ingrained from before I was born. allow me to outline my historicity

My mum and dad were both Original London Mod/ernists from 1962 and anyone who knows will agree that the authentic soundtrack to Mod/ernist is Soul…Rhythm & Blues too of course but whereas Rhythm&Blues had been around for many years Soul was ‘modern’ (albeit a fusion between Doo Wop and Gospel).

Between 1958 and 1960 the seeds of Soul were sown as the cultural boundaries began to be crossed in earnest and as is often the case it was music that blew the trumpet for change loud and clear. No more would the universal language be categorised strictly by ‘Race’ (my belief is that it’s the only language that speaks to all regardless of colour, nationality or creed). Artists such as Sam Cooke, Jackie Wilson, James Brown, Smokey Robinson, Jerry Butler, Curtis Mayfield, Gene Chandler, Dee Clark, Otis Redding, Solomon Burke, Wilson Pickett, Marvin Gaye, (along with a whole host of lesser known but just as illuminating singers, songwriters and musicologists), began to flex their musical muscles and craft the ‘new lick’ without the backing of Corporate thieves and vultures.

In December 1968 themusicologist was born with the soundtrack of Soul ringing in my heart and soul and from that day to this it has been ever present. Beginning with the ‘classics’ I have matured throughout the 70’s 80’s 90’s and into the 21st Century with the heartbeart of such priceless musicology as the soundtrack to my existence. There have been and are many other genres that have had a profound impact on the I but Soul still is (and always will be), my first musical love.

Kicking off with one of my favourite early Soul cuts courtesy of the pioneering ‘Miracles’ who first recorded in 1958 for Chess, but it wasn’t until hooking up to Berry Gordy’s fledgling Motown Label that the musical sparks began to truly fly. Just like to add that without doubt The Miracles were a foundation stone on which the Berry Gordy empire was built…

musicology #481

PoliceAndThieves #6

(Junior Murvin – Police&Thieves)

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Last day of this theme but before the final cut I would like to elucidate on the my thoughts and inspiration for laying it down. various parts of London, (and many other parts of the world), in the late 70’s and throughout the 80’s were a battleground as the old world began to give way to the new and the front line soldiers were the police. Stop and search was a BIG problem that only served to alienate ‘us’ from ‘them’. In my experience community policing gave way to bullying and now we live in a society where for many the Police are the oppressors.

Of course the argument could, (and does as far as some are concerned), run that fire needs to be fought with fire but on the other hand the Tao maintains that the ‘way’ to deal with ‘yang’ (fire) is with ‘Yin’ (water) and I have to state wholeheartedly that I agree..my recent experience has highlighted that fire burns whilst water soothes..anyone who has been in such a situation must know of what I speak?. I’m not blaming those individuals who join ‘the force’ as ‘a wo/man has to do what a wo/man has to do’ in order to survive. My belief is that the responsibility lies squarely on the shoulders of those who crack the whip….

Could only be this one to finish up..Junior Murvin’s international 1976 ‘hit’ … Supremely produced and mixed by Lee Perry.

musicology #480

PoliceAndThieves #5

(Woody Guthrie – Pretty Boy Floyd)

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Have to be quick with today’s post..man on a mission ! so without further delay hold this cut from Master Woody Guthrie who I am a BIG fan of. Regulars to the musical diary might have already guessed that I hunger for authenticity whether in music or in life..too much bullshit angers me which is why ‘news’ doesn’t interest me at all. At the risk of seeming indifferent the conventional propaganda machine or to use it’s common name..the media has an agenda…the promotion and pursuit of Capital over happiness…money ain’t worth the paper it’s printed on…how much has been printed over the last year? something like 20 Billion?? and yet still the poor are getting poorer while the rich are getting richer. make no mistake the gap between the two is widening…how can that be?

Anyway…before I get involved hold this cut from Woody about outlaw Pretty Boy Floyd. Recorded in 1939 the song highlights Floyd’s apparent generosity to the poor which considering Guthrie’s Oklahoma roots and the mans authenticity I would imagine was true. Floyd’s funeral remains the States most attended funeral so he most have been popular for more than mere infamy… the outlaw is generally respected amongst the poor community and also revered for his generosity while his nefarious activities are often overlooked.

musicology #479

PoliceAndThieves #4

(NWA – Fuck The Police)

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So much to do and so little time in which to do…the bane of the 21st Century and as we move deeper into the ‘Age Of Insecurity’ the question I sometimes find myself asking is

“what the f**k is it all about” and by ‘it’ I mean existence…is it a game “full of sound and fury signifying nothing” or does it have any deeper meaning. If truth be told, (and I have said it before), for me it does have meaning and it isn’t a game..games are for playing while I believe that life is for living.

What has this got to do with the current theme..not much. Just the way I’m rolling today…I Feel good, great in fact and I just wanted to share it with you.

While searching and scanning themusicologist vaults for cuts about Police and Thieves I have concluded that musically, Thieves barely get a mention. I think Foucault wrote a book about society’s fascination with villains, (which I will have to procure for the library), but they are not well represented in musicology whereas the police on the other hand are.

Today’s cut needs no introduction..borrowed from seminal 1988 album ‘Straight Outta Compton’ featuring the harmonious talents of Ice Cube, Mc Ren, Eazy-E, Dr Dre and DJ Yella